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Henry Scott Stokes

The Life and Death of Yukio Mishima

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Novelist, playwright, film actor, martial artist, and political commentator, Yukio Mishima (1925–1970) was arguably the most famous person in Japan at the time of his death. Henry Scott Stokes, one of Mishima's closest friends, was the only non-Japanese allowed to attend the trial of the men involved in Mishima's spectacular suicide. In this insightful and empathetic look at the writer, Stokes guides the reader through the milestones of Mishima's meteoric and eclectic career and delves into the artist's major works and themes. This biography skillfully and compassionately illuminates the achievements and disquieting ideas of a brilliant and deeply troubled man, an artist of whom Nobel Laureate Yasunari Kawabata had said, “A writer of Mishima's caliber comes along only once every two or three hundred years.”
Este livro está indisponível
479 páginas impressas
Publicação original
2000
Ano da publicação
2000
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Impressões

  • Francisco Samourcompartilhou uma impressãohá 4 anos
    👍Vale a leitura
    🔮Segredos Obscuros
    💡Aprendi Muito
    🎯Vale a pena
    💞Amoroso
    🌴Livro de Praia
    🚀Não dá pra largar

    Muy completo e informativo. Da una opinión muy balanceada y concreta de quién fue Yukio Mishima.

Citações

  • Francisco Samourfez uma citaçãohá 4 anos
    Manga—strip cartoons—and video games are all the rage now. This société sans litérature is what Mishima surely had in mind when he predicted, late in life, that “Japan will disappear. It will become inorganic, empty, neutral-tinted; it will be wealthy and astute, a large economic power in a corner of the Far East.”
  • Francisco Samourfez uma citaçãohá 4 anos
    The same is true of the written word. If one writes: ‘I will die in November,’ then one has to die. If you make light of words once, you will go on doing so.”
  • Francisco Samourfez uma citaçãohá 4 anos
    Nationalism is used one way or another for political purposes, and thus people often lose sight of the fact that nationalism is basically a problem of culture.

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  • Francisco Samour
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