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Ryunosuke Akutagawa

Rashomon and Seventeen Other Stories

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One of Penguin Classics' most popular translations—now also in our elegant black spine dress
Ryünosuke Akutagawa is one of Japan's foremost stylists—a modernist master whose short stories are marked by highly original imagery, cynicism, beauty and wild humour. «Rashömon»and “In a Bamboo Grove” inspired Kurosawa's magnificent film and depict a past in which morality is turned upside down, while tales such as “The Nose,” “O-Gin” and “Loyalty” paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as “Death Register,” “The Life of a Stupid Man,” and “Spinning Gears,” Akutagawa drew from his own life to devastating effect, revealing his intense melancholy and terror of madness in exquisitely moving impressionistic stories.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

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Citações

  • kraskova007fez uma citaçãohá 5 meses
    “If the master does not behave like a master, the retainer need not behave like a retainer”
  • kraskova007fez uma citaçãohá 5 meses
    “Throughout heaven and earth, I alone am the honored one.”
  • kraskova007fez uma citaçãohá 5 meses
    By then, however, Yoshihide numbered among those who are no longer of this world. The night after he finished the screen, he tied a rope to a beam in his room and hanged himself. I suspect that, having sent his daughter on ahead to the other world, he could not bear to go on living here as if nothing had happened. His body lies buried in the ruins of his home. The little stone marker is probably so cloaked in moss now, after decades of exposure to the wind and rain, that no one can tell whose grave it is anymore.

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