The Shape of a Pocket

What we habitually see confirms us.

customary visible order is not the only one: it coexists with other orders.

What any true painting touches is an absence – an absence of which, without the painting, we might be unaware. And that would be our loss.

Photos, videos, films never find the face; at their best they find memories of appearances and likenesses. The face, by contrast, is always new: something never before seen and yet familiar.