en
Anne Carson

The Beauty of the Husband

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  • Zeynebfez uma citaçãohá 16 dias
    Shall we sharpen our eyes and circle closer to the beauty of the husband—
    carefully, for he was on fire.
    Under him the floor was on fire,
    the world was on fire,
    truth was on fire.
    Around him green fire blew straight off every tree.
    He was almost never sad, a god led him on.
    Nor did he doubt his fate which looked as Napoleon used to say like this:
    I write myself between worlds.
  • Zeynebfez uma citaçãohá 19 dias
    He was not wrong that sad anthropologist who told us the primary function of writing is to enslave human beings. Intellectual and aesthetic uses came later.
  • Zeynebfez uma citaçãomês passado
    Lover, merciful one
    you write but you
    do not come to me. This one my mother did not read.

    Rabbis liken Torah to the narrow sex of the gazelle
    for whose husband every time
    is like the first time.
  • Zeynebfez uma citaçãohá 3 meses
    Ōe says
    many children were told and some believed that when the war was over
    the emperor would wipe away their tears
    with his own hand.
  • Zeynebfez uma citaçãohá 3 meses
    Like many a wife I boosted the husband up to Godhood and held him there.
    What is strength?
    Opposition of friends or family merely toughens it.
  • theseatheseafez uma citaçãohá 2 anos
    Omens are for example hearing someone say victory as they pass you in the street
    or to be staring
    at the little sulfur lamps in the grass
    all around the edge of the hotel garden
    just as they come on. They come on at dusk.

    What was he thinking to bring her here?
    Athens. Hotel Eremia.
    He knew very well. Dètente and reconciliation, let's start again,
    thinking oysters and glacè fruits, it needs a light touch,
    narrow keys
    not very deep.
    Hotel gardens at dusk are a place where the laws governing matter
    get pulled inside out,
    like the black keys and the white keys on Mozart's piano.
    It cheered him to remember Mozart
    borrowing money every night
    and smiling his tilted smile.
    Necessity is not real! after all.
    The husband swallows his ouzo and waits for its slow hot snow inside him.
    Mozart
    (so his wife told him at lunch)
    scored his Horn Concerto

    in four different colors of ink: a man at play.
    A husband whose wife knows just enough history to keep him going.
    Cheer is rampant in the husband now.
    Infinite evening ahead.
    Its shoals appear to him and he navigates them one by one
    slipping the dark blue keel ropes this way and that
    on a bosom of inconceivable silver—ah here she is.
    The husband can be seen to rise as his wife crosses the garden.
    Why so sad.
    No I'm not sad.
    Why in your eyes—
    What are you drinking.
    Ouzo.
    Can you get me a tea.
    Of course.

    He goes out.
    She waits.
    Waiting, thoughts come, go. Flow. This flowing.

    Why sadness? This flowing the world to its end. Why in your eyes—

    It is a line of verse. Where has it stepped from. She searches herself, waiting. Waiting is searching.
    And the odd thing is, waiting, searching, the wife suddenly knows
    a fact about her husband.
    This fact for which she had not searched
    jerks itself into the light
    like a child from a closet.
    She knows why he is taking so long at the bar.

    Over and over in later years when she told this story she marvelled
    at her husband's ability to place the world within brackets.
    A bracket's worth of mirage! all he ever needed.
    A man who after three years of separation would take his wife to Athens—
    for adoration, for peace,
    then telephone New York every night from the bar
    and speak to a woman
    who thought he was over on 4th Street
    working late.
    And upstairs that night, which proved a long night, as he was dragging
    his wounded honor about the hotel room like a damaged queen of moths
    because she mentioned Houyhnhnms and he objected
    to being “written off as an object of satire,” they moved
    several times through a cycle of remarks like—

    What is this, what future is there
    I thought
    You said
    We never
    When exactly day year name anything who I was who I am who did you
    Did you or did you not
    Do you or do you not
    This excuse that excuse pleasure pain truth
    What truth is that
    All those kilometers
    Faith
  • Roberta Suárezfez uma citaçãohá 3 anos
    waits.
    Waiting, thoughts come, go. Flow. This flowing.

    Why sadness? This flowing the world to its end. Why in your eyes—

    It is a line of verse. Where has it stepped from. She searches herself, waiting. Waiting is searching.
  • Roberta Suárezfez uma citaçãohá 3 anos
    Why are we at war.
    Because I don't want to give up.
  • Roberta Suárezfez uma citaçãohá 3 anos
    Is innocence just one of the disguises of beauty?
  • Roberta Suárezfez uma citaçãohá 3 anos
    A wound gives off its own light
    surgeons say.
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