Karelle Buendia Longoriafez uma citaçãoano passado
“We learn to see what flows beneath. We learn the prehistory of the visible. We learn to dig deep and to lay bare, to explain, to analyse.” Paul Klee
Dianiquafez uma citaçãohá 4 anos
“The relation of art to creation is symbolic. Art is an example, just as the earthly is an example of the cosmic.”
orsonem27fez uma citaçãohá 5 anos
Klee discovered for himself Ensor’s use of line as an expressionist graphic artist.
orsonem27fez uma citaçãohá 5 anos
Franz von Stuck (1863-1928), the German symbolist artist, sculptor, and dynamic teacher. Stuck’s students included Josef Albers (1888-1976), the founder of Op Art, and Wassily Kandinsky (1866-1944), Klee’s friend thereafte
orsonem27fez uma citaçãohá 5 anos
Klee seemed to see what he heard and heard what he painted. The elements and familiar traits of music (line, harmony, rhythm, tempo), as well as many of its forms (fugue, polyphony, and so forth) can be seen throughout his body of work.
katiadolzhenkofez uma citaçãohá 5 anos
In his final years, he became nearly obsessed with his research into ideographs, hieroglyphics, signs, and the cave wall markings of prehistoric times.
katiadolzhenkofez uma citaçãohá 5 anos
I am armed, I am not here, I am in the depth, I am far away... I glow with the dead.
katiadolzhenkofez uma citaçãohá 5 anos
Zentrum Paul Klee houses 4,000 of the most important works by Klee, as well as a wealth of biographical material.
katiadolzhenkofez uma citaçãohá 5 anos
the war began, Klee was on a two-month stay at Faoug, on Lake Murten. There he created at least 150 of the 1,253 works produced during a burst of unparalleled creativity and his most productive year by far, even though his health continued to get worse.
katiadolzhenkofez uma citaçãohá 5 anos
Picasso hated to travel, but he also visited Klee in 1937. Not surprising, the strong-willed men apparently had some disagreements during the visit. Later that same year Picasso might have recalled their relationship while painting his masterpiece, Guernica. The arrow, that symbol so beloved by Klee, is seen in the background between the hind legs of the horse in that large work. It is thought to be homage to Klee.