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Grátis
Kakuzo Okakura

The Book of Tea

In 1906 in turn-of-the century Boston, a small, esoteric book about tea was written with the intention of being read aloud in the famous salon of Isabella Gardner, Boston's most famous socialite. It was authored by Okakura Kakuzo, a Japanese philosopher, art expert, and curator. Little known at the time, Kakuzo would emerge as one of the great thinkers of the early 20th century, a genius who was insightful, witty—and greatly responsible for bridging Western and Eastern cultures. Okakura had been taught at a young age to speak English and was more than capable of expressing to Westerners the nuances of tea and the Japanese Tea Ceremony.

In The Book of Tea Classic Edition he discusses such topics as Zen and Taoism, but also the secular aspects of tea and Japanese life. The book emphasizes how Teaism taught the Japanese many things; most importantly, simplicity. Kakuzo argues that tea-induced simplicity affected the culture, art and architecture of Japan.

Nearly a century later, Kakuzo's The Book of Tea Classic Edition is still beloved the world over, making it an essential part of any tea enthusiast's collection. Interwoven with a rich history of Japanese tea and its place in Japanese society is poignant commentary on Asian culture and our ongoing fascination with it, as well as illuminating essays on art, spirituality, poetry, and more.
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Impressões

  • Shubha Mishracompartilhou uma impressãohá 6 anos
    👎Não recomendo
    💩Grande Porcaria
    🙈Passou Batido
    💤Entedianteeee!

    So you go to a store to buy a dress, ask shopkeeper to show you dresses. The shopkeeper starts preaching you about life and all that psychology crap. You re,ind him again about the thing you are looking for. The shopkeeper says oh yea dress, this dress is beautiful, tea - house, tea-maker blah blah blah , zennism, blah blah blah, Buddhism, Taoism.... blah blah blah

Citações

  • Anneysha Choudhuryfez uma citaçãohá 9 meses
    It is indeed a shame that despite all our rhapsodies about the ancients we pay so little attention to our own possibilities. Struggling artists, weary souls lingering in the shadow of cold disdain! In our self-centered century, what inspiration do we offer them? The past may well look with pity at the poverty of our civilisation; the future will laugh at the barrenness of our art. We are destroying the beautiful in life.
  • Anneysha Choudhuryfez uma citaçãohá 9 meses
    We classify too much and enjoy too little.
  • Anneysha Choudhuryfez uma citaçãohá 9 meses
    It is much to be regretted that so much of the apparent enthusiasm for art at the present day has no foundation in real feeling. In this democratic age of ours men clamour for what is popularly considered the best, regardless of their feelings. They want the costly, not the refined; the fashionable, not the beautiful. To the masses, contemplation of illustrated periodicals, the worthy product of their own industrialism, would give more digestible food for artistic enjoyment than the early Italians or the Ashikaga masters, whom they pretend to admire. The name of the artist is more important to them than the quality of the work.

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