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Bapsi Sidhwa

The Pakistani Bride

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A Pakistani teenager is trapped by tradition in this tale by “Pakistan’s finest English-language novelist” (New York Times).
Wild, austere, and magnificently beautiful, the territories of northern Pakistan are a forbidding place, particularly for women. Traveling alone from the isolated mountain village where he was born, Qasim, a tribal man, takes Zaitoon, an orphaned girl, for his daughter and brings her to the glittering city of Lahore. Amid the pungent bazaars and crowded streets, he makes his fortune and a home for the two of them.
Yet as the years pass, Qasim grows nostalgic for his life in the mountains, and fifteen-year-old Zaitoon envisions a romantic landscape, filled with tall men who roam the mountains like gods. Impulsively, Qasim promises Zaitoon in marriage to a man of his tribe. But once she arrives in the mountains, the ancient customs of unquestioning obedience and backbreaking work make accepting her fate as the bride of an inscrutable husband impossible. Unfortunately, the only escape is one from which there is no return.
Prescient and provocative in its assessment of the plight of women in a tribal society in Pakistan, the first of Bapsi Sidhwa’s novels is a story of marriage and commitment, of the conflict between adherence to tradition and indomitable force of a woman’s spirit.
Praise for The Pakistani Bride
“At a breathless pace [Sidhwa] weaves her exotic cliffhanger from passion, power, lust, sensuality, cruelty and murder.” —Financial Times (UK)
“Bapsi Sidhwa is a powerful and dramatic novelist who knows how to flesh out a story.” —London Times (UK)
“Sidhwa writes with the same vivacity that made the author’s first novel, The Crow Eaters so memorable.” —Telegraph (UK)
Este livro está indisponível
256 páginas impressas
Publicação original
2012
Ano da publicação
2012
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Citações

  • محمدfez uma citaçãohá 3 horas
    Qasim, as far as he knew, was alone. He moved swiftly, in shadows, aware that he had to cross the border before daylight.
    He had barely started when suddenly a short form hurtled out of the dark at him. He stopped, his heart pounding. That same instant he realized it was a child, a little girl.
    Clinging to his legs, she sobbed, “Abba, Abba, my Abba!” For a moment Qasim lost his wits. The child was the size of his own little Zaitoon lost so long ago. Her sobs sounded an eerie, forlorn echo from his past. Then, brutally untangling her stubborn grasp, he plunged ahead.
    The child stumbled after him, screaming with terror.
    Fearing the danger from that noise, Qasim waited for the child to catch up. He slid his hand beneath his vest and triggered a switch. A long thin blade jumped open in his hand. His fingers were groping for the nape of her neck when the girl pressed herself to him for protection.
    Qasim gasped. Was it a trick of the light? Quietly, with one hand, he closed the knife. She looked up and in the mold of her tear-stained features, he caught an uncanny flash of resemblance to his daughter thrashing in the agony of her last frenzy.
    Kneeling before her, he sheltered the small face in his hands.
    The girl stared at him. “You aren’t my Abba,” she said in accusing surprise.
    Qasim drew her to him. “What is your name?”
    “Munni.”
    “Just Munni? Aren’t all little girls called Munni?”
    “Just Munni.”
    “You must have another name . . . Do you know your father’s name?”
    “My father’s name was Sikander.”
    Her use of the past tense startled him. It showed a courage and a forbearance that met the exacting standard of his own proud tribe.
    “I had a little girl once. Her name was Zaitoon. You are so like her . . .”
    She leaned against him, trembling, and he, close to his heart, felt her wondrously warm and fragile. A great tenderness swept over him, and recognizing how that fateful night had thrown them together, he said, “Munni, you are like the smooth, dark olive, the zaitoon, that grows near our hills . . . The name suits you . . . I shall call you Zaitoon.”
    A simple man from a primitive, warring tribe, his impulses were as direct and concentrated as pinpoints of heat. No subtle concessions to reason or consequence tempered his fierce capacity to love or hate, to lavish loyalty or pity. Each emotion arose spontaneously and without complication, and was reinforced by racial tradition, tribal honor and superstition. Generations had carried it that way in his volatile Kohistani blood.
    Cradling the girl in his arms, he hurried towards Lahore.
  • محمدfez uma citaçãohá 10 dias
    Sikander cut his way frantically through the ripe wheat as he ran towards the mud walls of his hut. His wife Zohra, standing in the courtyard, watched him. In the heat-hazed dawn neat squares of rippling wheat stretched towards the horizon and—riding on sudden swells of the breeze—came the distant chants of “ Hari Hari Mahadev!” “ Bole so Nihal. Sat siri Akal!” and an occasional, piercing, “ Ya Alieeee!” An ugly bloated ebb and flow of noise engulfed everything. The corn, the earth, the air, and the sky seemed full of threat.
  • محمدfez uma citaçãohá 10 dias
    The earth is not easy to carve up. India required a deft and sensitive surgeon, but the British, steeped in domestic preoccupation, hastily and carelessly butchered it. They were not deliberately mischievous—only cruelly negligent! A million Indians died. The earth sealed its clumsy new boundaries in blood as town by town, farm by farm, the border was defined. Trains carrying refugees sped through the darkness of night—Hindus going one way and Muslims the other. They left at odd hours to try to dodge mobs bent on their destruction. Yet trains were ambushed and looted and their fleeing occupants slaughtered.

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