Marc Blake

Marc Blake is an English author, educator, and filmmaker. He writes nonfiction books on comedy and sitcom writing, as well as comic novels and a Young Adult horror novel.

Marc Blake was born and raised in London. His career spans teaching, writing, and guiding. He teaches film studies at Winchester and Southampton Solent Universities and runs writing courses at Marlborough College.

Blake's literary contributions include novels such as Sunstroke, Big Time, and 24 Karat Schmooze. His foray into nonfiction includes How NOT to Write Sitcom and Writing the Comedy Movie. He is the writer and director of the forthcoming feature film Axman (2019).

Since 2014, Blake has worked as an International tour guide, showcasing the city's rich history and culture. As a qualified Blue Badge guide, he offers personalized tours to large and small groups, families, and individuals. His tours are versatile, covering everything from classic rock to James Bond-themed walks.

As a teacher, writer, and artist, Blake significantly influences how he guides tours. He engages in conversation rather than lectures, making his tours informative and entertaining. His interest in wartime London is evident in his Young Adult horror novel "Spirit of the Blitz." He also offers a unique "London Horror" ghost walk.

In his 2005 book How To Be A Sitcom Writer, Blake shares his extensive experience in comedy writing. Having written for shows like Spitting Image and personalities such as Frankie Howerd and Craig Charles, he brings a wealth of knowledge to aspiring sitcom writers. The book is a guide through the nuances of sitcom writing, offering insight from Blake's own TV show and BBC Radio 4 series Whining for England.

Marc Blake still lives in London.
years of life: 28 janeiro 1960 present

Audiolivros

Citações

swong9776fez uma citaçãohá 7 meses
Nevertheless, what makes a sitcom great are characters who provoke the phrase ‘I know someone just like that’.
swong9776fez uma citaçãohá 7 meses
The fresh idea – the one that elevates him above other more traditional sitcom bosses – is that he so desperately wants to fit in and be one of the lads. Plus he thinks he’s a comedian, or rather a ‘chilled-out entertainer’ – a master stroke of self-delusion. These lead roles are archetypes. Originals. Characters that sear themselves onto our retinas.
swong9776fez uma citaçãohá 7 meses
In this regard, the element of familiarity is important. People need to warm to this strange person in their living room. They need time to learn about their faults and foibles and to love and hate them, which is why it takes time for sitcom to bed in
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