Since the early 1970s, when she was in her mid-thirties, Emma Tennant has been a prolific novelist and has established herself as one of the leading British exponents of "new fiction." This does not mean that she is an imitator of either the French nouveaux romanciers or the American post-modernists, although her work reveals an indebtedness to the methods and preoccupations of some of the latter. Like them, she employs parody and rewriting, is interested in the fictiveness of fiction, appropriates some science-fiction conventions, and exploits the possibilities of generic dislocation and mutation, especially the blending of realism and fantasy. Yet, although parallels can be cited and influences suggested, her work is strongly individual, the product of an intensely personal, even idiosyncratic, attempt to create an original type of highly imaginative fiction.
