Perhaps Dickinson’s most radical departures from convention occur in her use of paradox to unsettle our most firmly held opinions and beliefs. As the critic Alfred Kazin writes, “She unsettles, most obviously, by not being easily locatable”
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To enter Dickinson’s world is to step into a scary but electrifying funhouse where paradoxes serve like distorting mirrors to show us new ways of seeing just about everything: love, death, solitude, the soul.
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Throughout her work, opposites change places: Distance is nearness in disguise; absence is the most vital form of presence; alone-ness is the greatest company.
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VI IF I can stop one heart from breaking,
I shall not live in vain;
If I can ease one life the aching,
Or cool one pain,
Or help one fainting robin
Unto his nest again,
I shall not live in vain.
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THIS is my letter to the world, That never wrote to me,— The simple news that Nature told, With tender majesty.
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SUCCESS is counted sweetest By those who ne‘er succeed. To comprehend a nectar Requires sorest need.
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As he, defeated, dying, On whose forbidden ear The distant strains of triumph Break, agonized and clear.
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