Genzaburo Yoshino

Copper had an odd feeling. The watching self, the self being watched, and furthermore the self becoming conscious of all this, the self observing itself by itself, from afar, all those various selves overlapped in his heart, and suddenly he began to feel dizzy. In Copper’s chest something like a wave began to pitch and roll. No, it felt as if Copper himself were pitching and rolling.

Miyazaki makes films for whole people and makes films about consequences. When I worked on the English-language script of his film Princess Mononoke, I was astonished when I finally realised that everything in the film was about consequences of acts and actions: seemingly unrelated events are actually the consequences of other events or actions, and everyone in the film is acting according to what they believe to be their best interests without realising that what they do affects everyone else.

I’m sure you know all this from reading How Many Things Have Human Beings Done? but still, there may be nothing more deep-rooted and stubborn than the human tendency to look at and think of things with themselves at the center.